Monday, 30 November 2009
Tuesday, 24 November 2009
Call Sheet 28th or 29th November
Date: 28th or 29th November
Time: 1pm
Shots: 1 - 12, 21, 23, 25, 33 - 55
Cast: Sarah, Sid, The Friend, stranger
Crew: Director, Camera Person
Wrap Time:
Contact Details: Email all involved
Monday, 16 November 2009
Call Sheet- 21st November
Date: Saturday 21st November
Time: 12.00pm
Shots: 13-20, 24, 26-32
Cast: Sarah
Crew: Camera, director
Wrap time: 5.00pm
Contact details: email all for details
Call Sheet- 17th November
Date: Tuesday 17th November 2009
Time: 3.20pm
Shots: 56-60
Cast: Sarah, Man/Woman
Crew: Camera, director
Wrap time: 4.30pm
Contact details: email all involved for details
Tuesday, 10 November 2009
Cast List
Sarah: Charlie Rushworth
Sid: Benjamin Stockton
Stranger in park: Karl Swales
Doctor: Simon Casken
Sid: Benjamin Stockton
Stranger in park: Karl Swales
Doctor: Simon Casken
Costume List
Scene 1:
-Sarah and friend: nice clothes, dressed up as if coming home from a night out, heels and a handbag, make up done, etc.
-Sid: Head to foot in dark clothing so as to blend into the shadows.
Scene 2:
-Sarah: Same clothing as in last scene, but not so neat, sort of ragged, make up streaked.
Scene 3:
-Sarah: Plain, day to day clothes. T-shirt, jeans and a jacket.
-Police officer: dressed as a police officer, uniform if possible, if not then best that can be managed.
Scene 4:
-Sarah: Pyjamas, with a dressing gown maybe.
Scene 5:
-Sarah: Dressed as though to go to work, white shirt/t-shirt/blouse, black trousers, black shoes, handbag.
-Stranger: Dark clothes, similar but not identical to what Sid wears in Scene 1.
-Sid: Same clothing as in Scene 1.
Scene 6:
-Sarah: White clothes from head to foot or just pale clothing, bare feet.
-Man/Woman: White coat, black trousers, simple footwear.
-Sarah and friend: nice clothes, dressed up as if coming home from a night out, heels and a handbag, make up done, etc.
-Sid: Head to foot in dark clothing so as to blend into the shadows.
Scene 2:
-Sarah: Same clothing as in last scene, but not so neat, sort of ragged, make up streaked.
Scene 3:
-Sarah: Plain, day to day clothes. T-shirt, jeans and a jacket.
-Police officer: dressed as a police officer, uniform if possible, if not then best that can be managed.
Scene 4:
-Sarah: Pyjamas, with a dressing gown maybe.
Scene 5:
-Sarah: Dressed as though to go to work, white shirt/t-shirt/blouse, black trousers, black shoes, handbag.
-Stranger: Dark clothes, similar but not identical to what Sid wears in Scene 1.
-Sid: Same clothing as in Scene 1.
Scene 6:
-Sarah: White clothes from head to foot or just pale clothing, bare feet.
-Man/Woman: White coat, black trousers, simple footwear.
Props list
Scene 1:
-Mobile Phone
-Mobile Phone
Scene 2:
-Mobile Phone (see above)
-Bed
Scene 3:
-Desk
-Chairs
-Photograph
Scene 4:
-Envelope and letter
-Table/Sideboard
Scene 5:
-No props
Scene 6:
-Bed
Monday, 2 November 2009
Shooting Script
Shooting Script
Shot 1: Long Shot of Sarah and friend walking down street. Duration- a few seconds.
Shot 2: Medium shot of the two as they walk further down the street, camera fixed position as they walk past.
Shot 3: Long shot as they walk towards the camera. Stop in front of camera in medium shot and run through dialogue. Friend carries on towards and past the camera and Sarah turns left into an alleyway.
Shot 4: Shot from within alley of Sarah walking in, medium long shot.
Shot 5: POV of rapist Sid in night vision watching Sarah as she walks past.
Shot 6: Close up of Sarah walking down the alley, Sid's shadow barely visible over her shoulder.
Shot 7: POV of Sid in night vision as he walks towards Sarah from behind, slightly higher angle than last POV.
Shot 8: Medium shot of Sarah, walking then getting grabbed around the waist by Sid.
Shot 9: Medium close up from the front as Sarah screams, moving all the way around them with the camera trained on them and Sid covers her mouth with his hand.
Shot 10: Low angle shot as Sid forces her to the ground.
Shot 11: High angle Sid POV as he forces her down.
Shot 12: A low to the ground long shot of them both on the ground, fading out to end the scene, with Sarah's dialogue.
Shot 13: A long shot of Sarah sat cross legged on a bed, head down and phone in both hands.
Shot 14: Shot 13 zooms in slowly to shot 14, a close up of her looking at the phone.
Shot 15: Over the shoulder extreme close up of her dialing 999 on her phone.
Shot 16: Frontal medium shot as she speaks, with a pause beforehand to allow for the voice of the operator editing in.
Shot 17: Close up of Sarah with her next line of dialogue, again with pause for voice of operator editing in.
Shot 18: A shot of Sarah from the side in medium close up, moving round to a frontal shot and zooming out on the way round. Last dialogue of the scene and again allowing pauses as the operator speaks.
Shot 19: Medium shot from the front where shot 18 finished of Sarah hanging up on the phone and letting it drop from her hand onto the bed then drawing her legs in towards her body and wrapping her legs around them.
Shot 20: medium close up of Sarah curled up and crying.
Shot 21: Flashback image of Sid's face.
Shot 22: Close up shot of Sarah's face with her eyes closed and tears rolling down her face, sobbing.
Shot 23: Flashback POV from Sarah as she fell to the ground, turing around and looking up at Sid standing over her.
Shot 24: Medium close up of Sarah taking her hands from around her and holding her head either side, her eyes scrunched shut.
Shot 25: Another Sarah POV from the ground looking up at Sid as he walks towards her and crouches, smiling lecherously.
Shot 26: A close up of Sarah's face, as she holds her head in her hands, sobbing hard. It zooms out as she rolls on to her side on the bed and curls up tightly, zooming out to a long shot.
Shot 27: An over the shoulder shot of an official looking letter addressed to Sarah, which she is holding tightly in both hands.
Shot 28: Frontal medium shot of Sarah opening the envelope, taking out the letter and starting to read it.
Shot 29: A close up of her face showing her reaction change as she reads the letter.
Shot 30: A medium shot of Sarah getting angry and slamming the letter on the side in the kitchen, zooming in on the letter to clearly show the phrase "released on bail".
Shot 31: A continuation on shot 30, showing Sarah turn around so her back is to the letter, slumping down with her back sliding against the side.
Shot 32: Shot 31 zooms in to this shot, showing her finish her slump and sit on the floor with her head in her hands.
Shot 33: A longshot of Sarah walking down an empty street towards the camera.
Shot 34: A Sarah POV shot of what she's looking at as she walks down the street.
Shot 35: A close up of Sarah's face as she walks down the street, her head swinging in all directions as she looks around her.
Shot 36: Another Sarah POV as a stranger walks around the corner, camera swinging around then coming to a rest on the man.
Shot 37: Shot 36 continued, edited so the man in shot 36 fades to become Sid in Sarah's eyes.
Shot 38: A close up of Sarah's face, flashing through fear before resting on anger.
Shot 39: A Sarah POV as she starts to walk towards "Sid" then breaking into a run.
Shot 40: A long shot from across the street showing Sarah running towards the stranger.
Shot 41: Another Sarah POV as she gets closer to the man who she sees as Sid, still running.
Shot 42: A medium shot of the stranger with a confused look on his face, panning around to show Sarah running towards him.
Shot 43: A shot from behind Sarah in medium shot as she runs towards the stranger and goes to hit him.
Shot 44: A Sarah POV of Sid reacting to her blow.
Shot 45: A medium shot from the side of the stranger trying to reason with Sarah, backing away as she swings her hand at him again.
Shot 46: A Sarah POV of Sid backing away with his hands raised.
Shot 47: A medium shot as Sarah keeps swinging her hands/fists at the stranger, showing her eventually force him to the ground.
Shot 48: A Sarah POV showing Sid fall to the ground and the camera going towards him.
Shot 49: A long shot from across the road showing Sarah dive towards the stranger.
Shot 50: A medium close up showing Sarah put her hands around the stranger's neck.
Shot 51: A Sarah POV/over the shoulder shot of her hands around Sid's neck (whichever is easier to manage, probably over the shoulder shot)
Shot 52: A long shot from across the street of Sarah strangling the stranger, slowing to a stop, then taking her hands away and backing off.
Shot 53: A Sarah POV of her backing away from Sid's body as it fades back to the body of the stranger that she has killed.
Shot 54: A close up of Sarah's horrified reaction plus her dialogue.
Shot 54: A close up of Sarah's horrified reaction plus her dialogue.
Shot 55: A medium shot of her slumping to the ground silently before tilting her head skywards and screaming, which then fades out.
Shot 56: A medium shot of Sarah dressed in plain white clothes on a plain bed in a non-descript room, Sarah sat with her legs drawn in to her and holding them rocking back and forth.
Shot 57: A shot through a window in the door/as if through the window of the door, showing Sarah on the bed rocking.
Shot 58: A close up of Sarah's face rocking, showing her eyes look to the side at the sound of the door opening.
Shot 59: A shot from the corner of the room showing a man/woman in a white coat entering the room. White coated person says their dialogue.
Shot 60: Medium shot of Sarah stopping her rocking motion, standing slowly from her bed then pans to follow her as she follows the doctor from the room.
End film, credits run.
Contacting the police
We have decided to get in touch with the police in order to assist our media project, finding out about the process that reporting rape follows, what the victim undergoes, and the facilities that are used. Here we are going to post records of all communication with the police.
Initial email sent to the police on 20th October
To: centralsntpublicinfo@southyorks.pnn.police.uk
From: Archerbod@aol.com
Date: 10/20/2009 06:06PM
Subject: Message for Inspector Mark Spooner
This message has been forwarded to South Yorkshire Police on behalf of the author because Barnsley College has a restricted emails policy which interrupts the sending of this email. Replies should ideally be addressed as directed in the message below but can be routed via the address listed in the sender information above.
Dear Inspector Spooner
My name is Charlie Rushworth and I am a second year student at Barnsley College, currently studying A Levels at A2, one of which is Media Studies. As part of our coursework it is necessary to create a 5 minute short film on a subject of our choosing. Another student and I have chosen to do a short film about the consequences of rape. I am contacting you to request a meeting with you or someone on your team to discuss the process that follows a report of rape. To ensure accuracy and authenticity in our project we would like to be clear about the way in which the initial complaint is handled and how a victim makes a formal identification of the suspect where the rapist is not known to the victim. I will ring you in a few days to discuss it in further detail unless you wish to contact me first.
You can contact me on my mobile at 07546107765, or by sending me an email to charlierushworth@hotmail.com
Yours sincerely,
Miss Charlie Rushworth
From: Archerbod@aol.com
Date: 10/20/2009 06:06PM
Subject: Message for Inspector Mark Spooner
This message has been forwarded to South Yorkshire Police on behalf of the author because Barnsley College has a restricted emails policy which interrupts the sending of this email. Replies should ideally be addressed as directed in the message below but can be routed via the address listed in the sender information above.
Dear Inspector Spooner
My name is Charlie Rushworth and I am a second year student at Barnsley College, currently studying A Levels at A2, one of which is Media Studies. As part of our coursework it is necessary to create a 5 minute short film on a subject of our choosing. Another student and I have chosen to do a short film about the consequences of rape. I am contacting you to request a meeting with you or someone on your team to discuss the process that follows a report of rape. To ensure accuracy and authenticity in our project we would like to be clear about the way in which the initial complaint is handled and how a victim makes a formal identification of the suspect where the rapist is not known to the victim. I will ring you in a few days to discuss it in further detail unless you wish to contact me first.
You can contact me on my mobile at 07546107765, or by sending me an email to charlierushworth@hotmail.com
Yours sincerely,
Miss Charlie Rushworth
Email from from police showing reference of initial email.
Fw: Message for Inspector Mark Spooner
| From: | |
 You may not know this sender.Mark as safeMark as junk | |
| Sent: | 21 October 2009 16:52:05 |
| To: | Deborah.Mahmood@southyorks.pnn.police.uk |
| Cc: | charlierushworth@hotmail.com |
Subscribe to:
Comments (Atom)