Shooting Script

Shooting Script

Shot 1: Long Shot of Sarah and friend walking down street. Duration- a few seconds.

Shot 2: Medium shot of the two as they walk further down the street, camera fixed position as they walk past.

Shot 3: Long shot as they walk towards the camera. Stop in front of camera in medium shot and run through dialogue. Friend carries on towards and past the camera and Sarah turns left into an alleyway.

Shot 4: Shot from within alley of Sarah walking in, medium long shot.

Shot 5: POV of rapist Sid in night vision watching Sarah as she walks past.

Shot 6: Close up of Sarah walking down the alley, Sid's shadow barely visible over her shoulder.

Shot 7: POV of Sid in night vision as he walks towards Sarah from behind, slightly higher angle than last POV.

Shot 8: Medium shot of Sarah, walking then getting grabbed around the waist by Sid.

Shot 9: Medium close up from the front as Sarah screams, moving all the way around them with the camera trained on them and Sid covers her mouth with his hand.

Shot 10: Low angle shot as Sid forces her to the ground.

Shot 11: High angle Sid POV as he forces her down.

Shot 12: A low to the ground long shot of them both on the ground, fading out to end the scene, with Sarah's dialogue.

Shot 13: A long shot of Sarah sat cross legged on a bed, head down and phone in both hands.

Shot 14: Shot 13 zooms in slowly to shot 14, a close up of her looking at the phone.

Shot 15: Over the shoulder extreme close up of her dialing 999 on her phone.

Shot 16: Frontal medium shot as she speaks, with a pause beforehand to allow for the voice of the operator editing in.

Shot 17: Close up of Sarah with her next line of dialogue, again with pause for voice of operator editing in.

Shot 18: A shot of Sarah from the side in medium close up, moving round to a frontal shot and zooming out on the way round. Last dialogue of the scene and again allowing pauses as the operator speaks.

Shot 19: Medium shot from the front where shot 18 finished of Sarah hanging up on the phone and letting it drop from her hand onto the bed then drawing her legs in towards her body and wrapping her legs around them.

Shot 20: medium close up of Sarah curled up and crying.

Shot 21: Flashback image of Sid's face.

Shot 22: Close up shot of Sarah's face with her eyes closed and tears rolling down her face, sobbing.

Shot 23: Flashback POV from Sarah as she fell to the ground, turing around and looking up at Sid standing over her.

Shot 24: Medium close up of Sarah taking her hands from around her and holding her head either side, her eyes scrunched shut.

Shot 25: Another Sarah POV from the ground looking up at Sid as he walks towards her and crouches, smiling lecherously.

Shot 26: A close up of Sarah's face, as she holds her head in her hands, sobbing hard. It zooms out as she rolls on to her side on the bed and curls up tightly, zooming out to a long shot.

Shot 27: An over the shoulder shot of an official looking letter addressed to Sarah, which she is holding tightly in both hands.

Shot 28: Frontal medium shot of Sarah opening the envelope, taking out the letter and starting to read it.

Shot 29: A close up of her face showing her reaction change as she reads the letter.

Shot 30: A medium shot of Sarah getting angry and slamming the letter on the side in the kitchen, zooming in on the letter to clearly show the phrase "released on bail".

Shot 31: A continuation on shot 30, showing Sarah turn around so her back is to the letter, slumping down with her back sliding against the side.

Shot 32: Shot 31 zooms in to this shot, showing her finish her slump and sit on the floor with her head in her hands.

Shot 33: A longshot of Sarah walking down an empty street towards the camera.

Shot 34: A Sarah POV shot of what she's looking at as she walks down the street.

Shot 35: A close up of Sarah's face as she walks down the street, her head swinging in all directions as she looks around her.

Shot 36: Another Sarah POV as a stranger walks around the corner, camera swinging around then coming to a rest on the man.

Shot 37: Shot 36 continued, edited so the man in shot 36 fades to become Sid in Sarah's eyes.

Shot 38: A close up of Sarah's face, flashing through fear before resting on anger.

Shot 39: A Sarah POV as she starts to walk towards "Sid" then breaking into a run.

Shot 40: A long shot from across the street showing Sarah running towards the stranger.

Shot 41: Another Sarah POV as she gets closer to the man who she sees as Sid, still running.

Shot 42: A medium shot of the stranger with a confused look on his face, panning around to show Sarah running towards him.

Shot 43: A shot from behind Sarah in medium shot as she runs towards the stranger and goes to hit him.

Shot 44: A Sarah POV of Sid reacting to her blow.

Shot 45: A medium shot from the side of the stranger trying to reason with Sarah, backing away as she swings her hand at him again.

Shot 46: A Sarah POV of Sid backing away with his hands raised.

Shot 47: A medium shot as Sarah keeps swinging her hands/fists at the stranger, showing her eventually force him to the ground.

Shot 48: A Sarah POV showing Sid fall to the ground and the camera going towards him.

Shot 49: A long shot from across the road showing Sarah dive towards the stranger.

Shot 50: A medium close up showing Sarah put her hands around the stranger's neck.

Shot 51: A Sarah POV/over the shoulder shot of her hands around Sid's neck (whichever is easier to manage, probably over the shoulder shot)

Shot 52: A long shot from across the street of Sarah strangling the stranger, slowing to a stop, then taking her hands away and backing off.

Shot 53: A Sarah POV of her backing away from Sid's body as it fades back to the body of the stranger that she has killed.
Shot 54: A close up of Sarah's horrified reaction plus her dialogue.

Shot 55: A medium shot of her slumping to the ground silently before tilting her head skywards and screaming, which then fades out.

Shot 56: A medium shot of Sarah dressed in plain white clothes on a plain bed in a non-descript room, Sarah sat with her legs drawn in to her and holding them rocking back and forth.

Shot 57: A shot through a window in the door/as if through the window of the door, showing Sarah on the bed rocking.

Shot 58: A close up of Sarah's face rocking, showing her eyes look to the side at the sound of the door opening.

Shot 59: A shot from the corner of the room showing a man/woman in a white coat entering the room. White coated person says their dialogue.

Shot 60: Medium shot of Sarah stopping her rocking motion, standing slowly from her bed then pans to follow her as she follows the doctor from the room.

End film, credits run.